March 2018. I will be a co-artist in residence on Tuesday 27th March, at John Lewis (aka Heelas) Reading. The Reading Guild of Artists (RGA) had a request from John Lewis for artists to be resident on the lower ground floor during their Easter Extravaganza. Another RGA artist and myself will be in attendance with examples of our art from 10.00am to 4.00pm. Other artists from the RGA will be available daily from the 24th to 26th March. Do come along if you want to have a chat.
NOTE: We are allowed to take orders, but we are not allowed to sell any item of our art to members of the public whilst in John Lewis.
February 2018. I have started a new series: Scenes from the reserve. These are paintings of particular scenes from Fleet Hill farm, Manor farm and Moor Green Lakes that take my fancy. The first was completed this month. It was also my first attempt at acrylics. I normally use watercolours. Look in the tab FLEET HILL FARM AND MANOR FARM to find images of the paintings.
I had my first outing with the Reading Guild of Artists at the Sir John Madejski gallery, Reading museum. It was quite interesting setting up, stewarding and then knocking down.
January 2018. I have been accepted as a full member of the Reading Guld of Artists. If all goes well I shall be exhibiting with them this spring half term at the Sir John Madejski Gallery, Reading.
November 2017. I have donated three framed prints to the RSPB, which will be offered as prizes at this Year's Nature of Scotland awards, held on the 23rd November. I hope the lucky winners enjoy their prints. The prints are of Chilled, Silver Shadow and Rust Fungus. I need to get cracking and produce more paintings. A rather bad dose of the flu has clobbered me for most of October.
October 2017. I did try to paint this summer, but the garden and glorious weather beckoned, as well as attending work parties to clear Himalayan Balsam from around the Moor Green Lakes Nature reserve and banks of the Blackwater river. Regulars (are there any of you out there?) may notice a new tab far to the right of this page. This is my blog on the efforts Cemex are expending on restoring two large sections of their Gravel works between Yateley, Eversley and Finchampstead. When finished these two sections will join the Moor Green Lakes reserve to form a large nature reserve, stretching 2.2 miles along the Blackwater river.
March 2017. After my usual summer hiatus from painting (not sure why) I have added three new paintings. Continuing with my evolution series, a Wood Blewit in symbiosis with an aluminium pot.
I've gone a bit mad with swallows. Moon swallows, encapsulated by our large satellite. Then what do swallows get up to when we are not around? Perhaps they have races in amongst Parasol mushrooms.
News from 2016.
A slight hiatus in the painting schedule as I am busily preparing for various exhibitions.
The exhibition at Gallery Fifty Five has prematurely ended. The owner of Gallery Five Five has decided to retire as she was unable to agree a reasonable rental with the owners of the property in which her shop resided.
Perhaps the biggest news is my surprise at receiving a Highly Commended for my swan at the 2016 TWASI exhibition. The judges comments were:
'Painting on a stark black background is difficult and has been executed marvellously in this painting. The judges liked this composition of shapes, the way the reflections are depicted, giving continuous movement to the painting.'
Needless to say I am over the moon at receiving this award. Particularly as this is the first time I have entered the TWASI exhibition.
NOTE: We are allowed to take orders, but we are not allowed to sell any item of our art to members of the public whilst in John Lewis.
February 2018. I have started a new series: Scenes from the reserve. These are paintings of particular scenes from Fleet Hill farm, Manor farm and Moor Green Lakes that take my fancy. The first was completed this month. It was also my first attempt at acrylics. I normally use watercolours. Look in the tab FLEET HILL FARM AND MANOR FARM to find images of the paintings.
I had my first outing with the Reading Guild of Artists at the Sir John Madejski gallery, Reading museum. It was quite interesting setting up, stewarding and then knocking down.
January 2018. I have been accepted as a full member of the Reading Guld of Artists. If all goes well I shall be exhibiting with them this spring half term at the Sir John Madejski Gallery, Reading.
November 2017. I have donated three framed prints to the RSPB, which will be offered as prizes at this Year's Nature of Scotland awards, held on the 23rd November. I hope the lucky winners enjoy their prints. The prints are of Chilled, Silver Shadow and Rust Fungus. I need to get cracking and produce more paintings. A rather bad dose of the flu has clobbered me for most of October.
October 2017. I did try to paint this summer, but the garden and glorious weather beckoned, as well as attending work parties to clear Himalayan Balsam from around the Moor Green Lakes Nature reserve and banks of the Blackwater river. Regulars (are there any of you out there?) may notice a new tab far to the right of this page. This is my blog on the efforts Cemex are expending on restoring two large sections of their Gravel works between Yateley, Eversley and Finchampstead. When finished these two sections will join the Moor Green Lakes reserve to form a large nature reserve, stretching 2.2 miles along the Blackwater river.
March 2017. After my usual summer hiatus from painting (not sure why) I have added three new paintings. Continuing with my evolution series, a Wood Blewit in symbiosis with an aluminium pot.
I've gone a bit mad with swallows. Moon swallows, encapsulated by our large satellite. Then what do swallows get up to when we are not around? Perhaps they have races in amongst Parasol mushrooms.
News from 2016.
A slight hiatus in the painting schedule as I am busily preparing for various exhibitions.
The exhibition at Gallery Fifty Five has prematurely ended. The owner of Gallery Five Five has decided to retire as she was unable to agree a reasonable rental with the owners of the property in which her shop resided.
Perhaps the biggest news is my surprise at receiving a Highly Commended for my swan at the 2016 TWASI exhibition. The judges comments were:
'Painting on a stark black background is difficult and has been executed marvellously in this painting. The judges liked this composition of shapes, the way the reflections are depicted, giving continuous movement to the painting.'
Needless to say I am over the moon at receiving this award. Particularly as this is the first time I have entered the TWASI exhibition.
